print, engraving
narrative-art
baroque
engraving
Dimensions: height 493 mm, width 253 mm
Copyright: Rijks Museum: Open Domain
This anonymous print from 1742, now at the Rijksmuseum, satirizes Cardinal Fleury amidst the backdrop of 18th-century European politics. The print critiques Cardinal Fleury, and the poem's text suggests a society where political figures are entangled in leisure and perceived moral decay. It hints at a world where traditional roles and expectations—especially concerning gender and power—are subverted. The Cardinal, seemingly more interested in entertainment than governance, is portrayed amongst cavorting figures. The print suggests an intersection of political commentary and social critique. The Cardinal is criticized not only for his policies but also for his perceived effeminacy and involvement in frivolous activities, challenging conventional ideas of masculinity and leadership. It seems the print attempts to question the Cardinal’s authority by attacking his personal conduct and implying a lack of seriousness. The print captures a moment of political dissatisfaction, highlighting the tensions between those in power and the populace during a period of shifting social norms.
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