[no title] by Alan Charlton

[no title] 1991

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Dimensions: image: 495 x 495 mm

Copyright: © Alan Charlton | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Standing before us is a work by Alan Charlton, currently untitled. It's a study in monochrome grey. Editor: Stark. Austere. Like looking into a void, or perhaps a slate board before a lesson. Curator: Charlton's practice really challenges our notions of painting. The focus here is on the materiality of the pigment, its application, and the subtle variations within the grey. Editor: Grey is the color of the subconscious; what is being repressed, what is difficult to face. Curator: The scale and the deliberate lack of overt symbolism invite us to consider the physical experience of viewing, the labor and processes inherent in its creation. Editor: And yet, the square itself, a symbol of stability, hints at an underlying order, or perhaps an attempt to contain that very subconscious. Interesting.

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tate 1 day ago

http://www.tate.org.uk/art/artworks/charlton-no-title-p77524

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tate 1 day ago

Using various shades of grey, Charlton has made monotone paintings since 1969. He intends the work to have no metaphorical or spiritual content but simply to assert the fact of its existence. Charlton devised a system for determining the sizes of his paintings based on the unit of 2 inches, the depth of the stretcher bars he employed. In 1978 he adopted its metric equivalent, 4.5cm, which also forms the basis for this portolio of prints. The smallest square is 9cm and rises by 4.5cm increments to the largest which is 49.5cm. The paper itself is 58.5cm. All the grey tones are precise duplications of the tones Charlton has used in his paintings since the early 1970s. The works are intended to be hung in a random order. Gallery label, September 2004