Cell XXVI 2003

Louise Bourgeois's "Cell XXVI" (2003) is a powerful installation that reflects the artist's exploration of vulnerability and confinement. A large, circular cage surrounds a mirror reflecting a distorted figure of a hand. The hand, suspended from the ceiling, is a recurring motif in Bourgeois's work, often symbolizing both power and vulnerability. The cage and mirror create a sense of entrapment and introspection, prompting viewers to contemplate the complexities of identity and self-perception. Bourgeois's Cell series, known for their use of found objects and autobiographical themes, has become a cornerstone of contemporary sculpture.