Apostel Jakobus de Meerdere (Major) met pelgrimshoed en pelgrimsstaf by Marco Dente

Apostel Jakobus de Meerdere (Major) met pelgrimshoed en pelgrimsstaf 1517 - 1527

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print, engraving

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portrait

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print

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old engraving style

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figuration

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line

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northern-renaissance

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engraving

Dimensions height 199 mm, width 121 mm

Editor: Here we have Marco Dente’s engraving, "Apostel Jakobus de Meerdere (Major) met pelgrimshoed en pelgrimsstaf", dating from sometime between 1517 and 1527. There's a striking simplicity in its line work, but also an undeniable sense of gravitas. What strikes you when you look at it? Curator: It is a fascinating portrayal. Considering its socio-political context, prints like this, especially religious figures, played a vital role in disseminating ideas during the Reformation. It presents Saint James not just as a religious icon but as a symbol for pilgrimage – think about the significance of that staff and hat. Do you think this print might have served a particular function for individuals? Editor: Perhaps as a personal devotional image, especially for those who couldn't afford paintings? Curator: Precisely! The availability and affordability of prints democratized religious imagery. Think about how the market for religious imagery shifted with printmaking. The Northern Renaissance witnessed this blend of humanism and religious reform; prints were instrumental in these cultural shifts. Look at how James' figure, though idealized, is also rendered with a certain realism – observe the lines around his eyes, for instance. Do you think this blend affected its reception? Editor: I imagine that combination made the figure more relatable, and that may have broadened the appeal to different audiences who engaged with religious art at the time. Curator: Exactly! These details and how they were socially circulated offer us glimpses into the world of the 16th century, what art was for, and whom it served. The "Major" title indicates the presence of other images, suggesting a visual economy of apostles and saints during this time. Editor: I’ve learned a great deal about how this image's creation and circulation tie into the broader historical landscape of the Renaissance. Thanks! Curator: And I appreciate your fresh insights on the nuances of devotional imagery.

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