Apostle spoon by Johannes I Weber

Apostle spoon 1665 - 1685

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silver, metal, metalwork-silver, sculpture

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medieval

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silver

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metal

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metalwork-silver

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sculpture

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decorative-art

Dimensions Overall: 6 3/8 × 1 3/4 in. (16.2 × 4.4 cm)

Curator: At the Metropolitan Museum, we have this delightful piece from between 1665 and 1685, an Apostle spoon by Johannes I Weber, fashioned from silver. Editor: Well, it immediately strikes me as something more than merely functional. The gleaming surface and elongated form have a certain grace. It's both utensil and sculpture. Curator: Precisely! Apostle spoons, common gifts, often celebrated religious identity. The figure at the handle's end almost certainly identifies a saint, acting as a personal talisman, a protective figure through a shared, visual vocabulary. It reinforced a collective belief system within a very personal, everyday object. Editor: It's the detail, despite its modest scale, that captivates. See the refined textures – how the light interacts with each curve and line? It reminds me of Renaissance silverware, but with that late Medieval directness. The contrast between the smooth, reflective bowl and the textured apostle creates an immediate focal point. Curator: Indeed. Beyond material finesse, we're witnessing material culture. Silver spoons, highly personal items, speak to notions of status, of belonging, as visual statements about faith and self. Gifting them represented kinship, and shared cultural touchstones. Editor: Considering that it's silver, there's this subtle sense of coolness too, which works against its devotional intention. It is intriguing that an everyday object takes on such iconic power; so much ideology compressed into form. The halo or aureole becomes just another decorative ring in the overall structure. Curator: And such cultural power persists across centuries. Seeing such an artifact provides insight into individual faith. I see it as an expression of continuity—a timeless human desire for protection through shared values, crystallized within symbolic objects. Editor: A beautiful piece, undeniably. By highlighting material relationships—the play of light, shadow, and texture—we come to realize its deeper significance. What a marvel to study such an artifact.

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