Bracelet c. late 1940s

Editor: Here we have a silver bracelet, probably from the late 1940s, crafted by Bert Puhuyestiwa. The metal is punctuated by a series of striking turquoise stones. It's gorgeous, yet its simplicity lends it a peaceful quality. What symbolic meaning can we unpack here? Curator: The use of turquoise is particularly compelling. It appears frequently in Indigenous cultures as a powerful symbol, connected to the sky and water – both vital for life. Think of its presence, emotionally: calming like a clear sky, refreshing like cool water. Do you notice any patterns in the arrangement of the stones? Editor: Yes, there are larger, oval stones, each framed by smaller, round ones, and all mounted on the silver band. It’s quite symmetrical and balanced, which gives it that feeling of serenity, I think. Curator: Symmetry is crucial, echoing the harmony sought within the natural world, especially through traditional practices. These gems aren’t just decorations; they function as conduits. Through symmetry and its calming essence, the stones invoke blessings, ensure well-being. Each design element serves as an indicator of cultural memory and identity. Can you envision someone wearing this piece? Editor: I can. Perhaps wearing it during ceremonies? Knowing the depth of symbolism adds a richer layer to what I initially perceived as just a pretty piece of jewelry. Curator: Precisely. Jewelry transcends mere adornment; it becomes a tactile expression of one's heritage, a walking emblem of enduring beliefs. I would describe it as a manifestation of visual history. Editor: That's a very enlightening approach. Looking closely at design elements can indeed uncover fascinating meanings, connecting us more deeply to both the artwork and its cultural roots.