Bracelet c. 1910

Curator: I am struck by the immediacy of the visual impact of this bracelet. The stones immediately pop. Editor: Indeed. Before us is a silver bracelet, likely crafted around 1910 by a Navajo artist. You'll find it in the collection of the Minneapolis Institute of Art. Curator: There's a certain austerity in the composition; a formal interplay between the smooth turquoise cabochons and the heavily worked silver. Editor: Turquoise, as a gem, often holds sacred meaning in many Indigenous cultures of the Americas. As well as beauty and decoration, bracelets held specific symbolism as gifts, a link between the earth and wearer, and also as indicators of social position or even health status. The bright blue may relate to protection and well-being. Curator: Observe the three bands of twisted silver forming the body of the bracelet itself—the texture almost vibrates! And the silver beads, placed precisely around each turquoise, acting as both framing device and rhythmic accent. It demonstrates great sophistication, I think. Editor: Absolutely, there is great consideration for balance. Each stone possesses a unique matrix, no two exactly alike, symbolizing individual spirit while the metal is both sturdy, strong and uniting. The visual impact is striking, certainly, but I think it's in harmony with its meaning: protection, beauty, connection. Curator: I concede the stones are more than ornamentation. As you note, they bring great nuance to the overall work—though for me the formal composition remains the heart of this piece. Editor: Perhaps. Either way, an eloquent work of cultural significance, condensed to be worn on one’s person. Curator: Quite a feat of design, when you put it that way.