Galon, zwart c. 1920

This is a length of 'Galon, zwart', or black braid, by Gustav Schnitzler, sitting on a card at the Rijksmuseum. It's like a doodle in three dimensions, looping and swirling in ways that feel both decorative and kind of unruly. The black thread has an incredible density. It looks like a solid mass from a distance, but it's actually a delicate openwork that catches the light in a beautiful way. Each twist and knot seems like a carefully considered decision, even though the overall effect is spontaneous and free. Look at the edges of the braid, where the thread frays out a bit, softening the geometry of the design. It reminds me of my own painting process, where I build up layers of color and texture, allowing chance and intuition to guide my hand. Schnitzler's braid reminds me of the work of textile artist Sheila Hicks. Both artists share a love of materials and a willingness to experiment with form. Art is an ongoing conversation across time, constantly evolving. We can find new meanings in old forms.