Fortællingen om Akigssiak: Akigssiak og hans brødre morer sig over at se bjergtroldene (inuarullikkat) flænse i hvalen, efter at de selv har sikret sig deres part by Markus Lynge

Fortællingen om Akigssiak: Akigssiak og hans brødre morer sig over at se bjergtroldene (inuarullikkat) flænse i hvalen, efter at de selv har sikret sig deres part 1859 - 1860

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print, woodcut

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narrative-art

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print

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figuration

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woodcut

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line

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indigenous-americas

Dimensions: 96 mm (height) x 119 mm (width) (billedmål)

Editor: This is "Fortællingen om Akigssiak: Akigssiak og hans brødre morer sig over at se bjergtroldene (inuarullikkat) flænse i hvalen, efter at de selv har sikret sig deres part," a woodcut print by Markus Lynge, created around 1859-1860. I find the figures so compelling, especially the way they're positioned against that rugged, mountainous backdrop. What strikes you most when you look at this work? Curator: I'm immediately drawn to the faces. Note their stillness, almost mask-like quality, amidst what the title suggests is a scene of chaotic feasting. That contrast between placid observation and violent consumption... What do you suppose that tension represents? Editor: Maybe it’s about the observer's detachment from the event they’re watching. Is there a deeper meaning you think? Curator: Yes, quite possibly. Consider the "bjergtroldene," or mountain trolls, and what they symbolize within Inuit folklore. Are they purely monstrous figures, or might they represent the untamed, primal forces of nature? Lynge shows us not just an event, but a carefully constructed allegory using these potent figures, drawn from shared cultural memory. Editor: So, the image connects to a specific story and broader cultural understanding... I am seeing something else in it now, in addition to an arctic scene. I think Lynge’s image may comment on humankind's relationship with the environment, suggesting we’re all a little like those figures, getting our share. Curator: Precisely. The landscape itself almost seems to bear witness, adding to the work's reflective dimension. I think Lynge cleverly utilizes both narrative and visual cues to offer multiple entry points, rewarding a deeper consideration. Editor: Thanks. It is a far more layered artwork than I initially thought, filled with symbols that speak to Greenlandic cultural history and something universally human. Curator: And that is what makes visual storytelling through symbols enduring and relevant. The piece is about much more than just a single moment.

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