Abklatsch van de krijttekening op pagina 38 c. 1884 - 1891

Editor: Here we have Willem Witsen's "Abklatsch van de krijttekening op pagina 38," a pencil drawing on paper from around 1884 to 1891. At first glance, it's incredibly faint and almost ghostly. What do you see in this ethereal work? Curator: The fading is, in a way, the point. The “Abklatsch,” a transfer or rubbing, speaks to the ephemeral nature of memory. Look closely – can you discern the palimpsest, where images hint at landscape, portraits possibly layered and partially erased? Editor: I see what you mean about the layers. It almost feels like looking at a dreamscape or a faded photograph. What symbols do you think Witsen was exploring here? Curator: Consider the period - the late 19th century. Impressionism challenged visual perception; memory became a key theme. The "Abklatsch" embodies this preoccupation. Perhaps Witsen is hinting at how identity and place are formed through incomplete recollections. Think of it: a landscape barely visible, a portrait fading away... what remains? Editor: So it’s about the process of forgetting as much as remembering? Curator: Precisely! It’s the residue, the trace, the lingering emotional impression, not a clear picture. The medium, pencil on paper, adds to this vulnerability. It's a powerful commentary on the fragility of existence. Editor: This really challenges our assumptions about art. Thank you, that gives me a lot to think about. Curator: And me as well, seeing art through new eyes, finding depth in seeming simplicity.