Het viertal Evangelieschryvers, / Vol geests, vol vuurs verstands en yvers [(...)] 1806 - 1830

This print depicting the four evangelists was created by J. Robyn, using the technique of etching. Etching involves coating a metal plate with a waxy, acid-resistant substance, then scratching an image into the coating. When the plate is dipped in acid, the exposed lines are eaten away, creating grooves that hold ink. The printmaker then applies ink to the plate, wipes away the excess, and presses the plate onto paper, transferring the image. The fine lines and delicate shading seen here are characteristic of etching, allowing for intricate details and textures. Prints like this were often produced in multiples, making imagery accessible to a wider audience, and contributing to the spread of ideas during the period. The labour-intensive process of etching demanded skilled craftsmanship, reflecting the intersection of artistic expression and technical expertise, with the ability to disseminate information widely. The choice of etching, as opposed to unique artistic practices, reflects the wider context of production and consumption, offering insight into the cultural and social significance of images in the past.