Portret van een jonge man by Arno Kersten

Portret van een jonge man 1860 - 1900

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photography, albumen-print

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portrait

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16_19th-century

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photography

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historical photography

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19th century

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albumen-print

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realism

Dimensions height 82 mm, width 51 mm

Editor: This albumen print, "Portrait of a Young Man" from the late 19th century by Arno Kersten, is fascinating! I’m struck by how crisp the detail is for such an early photograph. It seems almost hyper-realistic, especially the texture of his coat. How would you approach understanding this portrait from a material perspective? Curator: From a materialist standpoint, let's look beyond the surface representation. This albumen print signifies a specific mode of 19th-century photographic production, rooted in a burgeoning industry. Consider the socio-economic factors driving albumen's widespread use. What were the processes involved in making albumen? Where were these raw materials sourced, and by whom? Editor: Albumen, I believe, comes from egg whites. That's such an unexpected material! Thinking about mass-produced photographs, were they mostly commissioned portraits or used for documenting other aspects of society? Curator: Exactly! Now consider the labor involved. Large quantities of eggs were needed. Who collected and processed them? These material processes directly reflect Victorian class structures. Photographic studios mass-produced portraits like these but also documented industrial developments and social changes. What do you think was the impact of mass photography on portrait painting at that time? Did it create new social classes? Editor: It’s interesting to see how such humble materials resulted in accessible imagery. Portraiture became democratized. More of the middle and working class now had access to that, altering both markets and cultural memory in unexpected ways. It's also intriguing how it may have affected painters and how they represented subjects. Curator: Precisely. Seeing photography's role in redefining art’s boundaries is crucial, and remembering that mass production, and its materials are tied to that change helps give new context. Editor: I'll never look at an old photograph the same way again! The connection between raw materials and social history gives "Portrait of a Young Man" such a powerful context.

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