Inname van Breda, 1590 by Bartholomeus Willemsz. Dolendo

Inname van Breda, 1590 1600 - 1610

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print, engraving

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baroque

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print

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landscape

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cityscape

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history-painting

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engraving

Dimensions height 320 mm, width 410 mm

Editor: This engraving, "Inname van Breda, 1590" by Bartholomeus Willemsz. Dolendo, dating from 1600 to 1610, depicts a cityscape during wartime. It feels almost like a map, showing the different stages of an attack. What's your interpretation of this piece? Curator: It’s more than just a map; it’s a politically charged depiction of power. The siege of Breda was a significant event in the Eighty Years' War. I see this as an articulation of Dutch identity, particularly within the context of their struggle against Spanish rule. How do the landscapes represented influence your interpretation? Editor: I hadn't thought about it like that, but seeing the landscape divided into sections, almost like acts in a play, emphasizes the planned, strategic nature of warfare and also reminds me of a graphic novel page. What kind of symbolism might be present? Curator: Think about the symbolism embedded in capturing a city. For the Dutch, Breda represented more than just territory; it was about establishing their sovereignty and challenging imperial dominance. Consider who this piece was commissioned for and who its intended audience was. What narratives were they trying to promote about their capabilities, even their legitimacy? Editor: So, it’s less about historical accuracy and more about creating a visual narrative that bolsters Dutch nationalism? I guess seeing it as a straightforward record would miss a lot. Curator: Exactly. Look at how the engraver meticulously detailed the Dutch army while portraying the city’s inhabitants more generally. Who is given agency and who is rendered passive or absent speaks volumes about the biases and power structures at play. Editor: I'm beginning to see how this image works on multiple levels. What appeared initially to be just documentation of a siege carries undertones about national identity and domination. Thanks! Curator: Indeed! Engaging with the socio-political subtext is crucial when we study works about historical battles. I'm glad we've been able to think more about these intersections today.

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