Inname van Steenwijk door Maurits, 1592 by Frans Hogenberg

Inname van Steenwijk door Maurits, 1592 1592 - 1594

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print, engraving

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print

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cityscape

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history-painting

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northern-renaissance

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engraving

Dimensions: height 207 mm, width 268 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have "The Capture of Steenwijk by Maurits," an engraving by Frans Hogenberg, dating from 1592 to 1594. The detail is incredible! The sheer busyness of the composition makes me wonder... What’s the story Hogenberg is trying to tell us? Curator: A story, certainly, of calculated power. Forget the painterly grandeur, here’s history rendered with the sharpest tools: clarity and multiplicity. It’s like reading a newspaper account, but imagine the scribe ALSO wants you to understand exactly how overwhelming military strategy can be. Do you feel dwarfed looking at it? I do! Editor: Absolutely! All those tiny figures... How does it all come together, compositionally? Curator: The elevated perspective almost detaches you, doesn’t it? Observe how the scene unfolds— the relentless advance of Prince Maurits’ troops juxtaposed with Steenwijk’s futile defence, the meticulously rendered architecture, almost as if surrendering under duress! The chaos below feels strangely ordered by Hogenberg. What resonates most with you? Editor: I hadn't thought of the "ordered chaos" aspect. It's interesting to consider that this battle is almost glorified, despite the clear suffering of those within the city. For me, it would be how an engraving like this – a relatively inexpensive and easily reproducible object – shaped popular perceptions of historical events. Curator: Precisely! Think about how *information* worked then! These prints weren’t just art, they were potent forms of propaganda and historical documentation rolled into one, weren't they? And maybe the *artists* saw themselves more like the history channels than artists as we know them... Now I can not help but smile in awe! Editor: That's a totally different perspective. Thanks so much! I am starting to wonder what today's version of a "news engraving" might look like… Curator: An artificially intelligent camera drone armed with deepfake technology, maybe? Ha! But let’s save *that* apocalypse scenario for another audio guide.

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