S.O. Goenoengsari. Molenstation (3e, 4e en 5e molen) 20-8-27. 1927 - 1928

Isken made this black and white photograph, S.O. Goenoengsari Molenstation, in 1927. It's easy to imagine him setting up his camera, adjusting the focus, and waiting for the right moment to capture the industrial landscape. I wonder what it was like for Isken to be in that place, surrounded by the machinery and the sounds of the mill. The composition gives the impression of order and functionality, yet there is an underlying sense of the chaotic energy inherent to any industrial process. The photo reminds me of the work of Charles Sheeler, another artist who found beauty in industrial subjects. What strikes me most is the way he captured the scale and complexity of this site. It's a testament to his vision that he could find such compelling imagery in the everyday world around him. Each artist is inspired by one another and the creative conversation continues. Isken’s image allows us to consider the many possible ways of seeing.