Leaf from Biblia Germanica Quatuordecima [Book of Ruth] (Augsburg- Silvan Otmar by Anonymous

Leaf from Biblia Germanica Quatuordecima [Book of Ruth] (Augsburg- Silvan Otmar 1518

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print, textile, paper, woodcut

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medieval

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print

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textile

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paper

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woodcut

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northern-renaissance

Dimensions: 12 1/8 × 8 3/16 in. (30.8 × 20.8 cm) (sheet)

Copyright: Public Domain

Editor: We're looking at a leaf from the Biblia Germanica Quatuordecima, the Book of Ruth, printed in Augsburg by Silvan Otmar in 1518. It’s a striking woodcut on paper. I'm really drawn to the intricate detail within the initial 'D.' How would you approach analyzing this work, focusing on its inherent qualities? Curator: Precisely! Let’s consider the formal elements. Notice the texture achieved by the woodcut, lending the paper a tactile dimension. Observe the relationship between the densely packed text and the open space. How does this arrangement influence your perception of the overall structure? Editor: It makes the illuminated "D" feel almost like a gate or portal. The contrast is really dramatic. And the typeface itself is so uniform, except where that initial disrupts the pattern. Curator: A key observation. We see a clear prioritization of visual hierarchy here, mediated through contrasting tones. What effect do you believe the high contrast between the ink and paper creates for the viewer? Does it heighten the textual readability? Editor: I think it does. It almost forces you to focus on the words themselves, even though the 'D' is so eye-catching. But could the use of a woodcut also just be about ease of reproduction? Curator: Possibly, but consider that even within the technical constraints, choices are made. Look at the deliberate placement of the text relative to the border, the justification… Editor: Right, it’s a carefully constructed rectangle within a rectangle. It feels balanced, considered. It wasn't something I noticed until you mentioned the interplay between the text and open space, to be honest. Curator: Exactly! It highlights the crucial dialogue between the technical capabilities and artistic expression, resulting in meaning constructed through form itself. Editor: It's interesting to see that, when you put it like that. I'll look for the interplay between material and execution in artworks from now on. Thanks!

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

The leaf comes from the fourteenth German edition of the Bible, printed in Augsburg in 1518. No doubt this book would have been of keen interest, since Martin Luther stood trial for heresy before many of the most powerful men of Germany in Augsburg in October of 1518. This book allowed those who could read German but not Latin to make their own judgements about what the Bible said. The large decorative initial “I” marks the beginning of the book of Ruth.

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