Studies 1876 - 1924

Gerrit Willem Dijsselhof made these "Studies" with graphite on paper. What makes this drawing interesting is the apparent ease with which the artist explored the shapes and forms of his subject. Graphite, essentially a purified form of carbon, has been used for centuries for its soft, mark-making ability. Think about the labor involved in the graphite mining and manufacturing of pencils during Dijsselhof's time; this readily available material democratized the art-making process. The paper too, while a common surface, was a product of industrialization, reflecting the increasing accessibility of art materials. Dijsselhof's technique, with its loose lines and sketched details, emphasizes the immediacy of his vision. The weight of the graphite on paper creates depth and shadow, bringing the organic forms to life. Paying attention to materials and process reminds us that art is not just about the final image, but also about the act of making and the social context in which it exists.