The Adoration of the Kings 1522 - 1525

Here is the "Adoration of the Kings" painted by Ortolano sometime between the late 15th and early 16th century. During this period, religious art was not just about biblical narrative, but also about reflecting the social and political values of the time. In this small painting, the traditional biblical scene is set against an Italian landscape. The three kings, who represent different continents, social classes, and ages, pay homage to the infant Christ. This reflects the Renaissance emphasis on a globalized worldview with the intention to reinforce the idea of universal salvation through Christ. The diversity of the kings serves to reinforce a sense of unity, suggesting that people of all walks of life are welcome in the Christian faith. Despite this intended message of inclusivity, the painting also indirectly upholds existing hierarchies. The act of adoration itself reaffirms the divine status of Christ and, by extension, the Church's authority. As you reflect on the painting, consider how it simultaneously invites and reinforces societal power structures of the time.