Staircase Ursuliner Lyzeum, Cologne 1928 by Werner Mantz

Staircase Ursuliner Lyzeum, Cologne 1928 Possibly 1928 - 1977

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Dimensions: image: 219 x 155 mm

Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: This is Werner Mantz’s "Staircase Ursuliner Lyzeum, Cologne 1928," currently held in the Tate Collections. Editor: The composition is immediately striking; a vortex of receding rectangular forms, almost hypnotic in its stark geometry. Curator: Indeed. It captures the essence of institutional architecture, the Ursuliner Lyzeum being a girls' school. Stairs here are not merely functional but a potent symbol of ascent, of education and social mobility. Editor: And yet the black and white tonality flattens the space, creating a sense of detachment. It almost feels like a diagram rather than a lived environment. The gaze is pulled inexorably into the infinite center. Curator: Perhaps that's Mantz’s intention—to show how spaces mold our perceptions and even our ambitions. Think of the associations of enclosed spaces with a girl's education at that time, and how charged this simple image becomes. Editor: Ultimately, Mantz crafts a visual puzzle, where space, light, and form converge to create an enduringly unsettling image. Curator: A perspective, I’d add, pregnant with the weight of history and social expectations.

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tate 2 days ago

http://www.tate.org.uk/art/artworks/mantz-staircase-ursuliner-lyzeum-cologne-1928-p79944

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tate's Profile Picture
tate 2 days ago

Staircase Ursuliner Lyzeum, Cologne 1928, printed 1977 depicts a stairwell in a secondary school, photographed directly upward from one of the lower floors. Each part of the staircase has different lighting, creating a varied interplay of light and shadow, while the concrete structure enhances the geometric character of the composition. Seen from below, each floor appears as a slightly tilted four-sided figure decreasing in size and drawing attention to the vanishing point on the ceiling, where there is a dark circle, perhaps a light fixture. In a spiral effect, the fading of tones connects each level to the next while conveying an intense sense of depth. The image transforms the building’s modernist features into pure forms and abstraction.