Kelly Head I 1972

Editor: This is Sir Sidney Nolan’s "Kelly Head I," its date is unknown and it’s part of the Tate collection. The overlaid colors create an interesting texture. How did Nolan’s process affect the final product? Curator: I see a fascinating interplay between representation and materiality. The silkscreen process, with its inherent layering and potential for slight misalignments, mirrors the contested narrative of Ned Kelly, a figure whose legend is both celebrated and criticized within the social fabric of Australia. The materials speak to this duality, don't you think? Editor: I think the idea of silkscreening and layering mirroring Ned Kelly’s story is quite fascinating! Thank you. Curator: Considering the materials and the means of production allows us to unpack the social context more fully, yes?