Ecce homo 1430 - 1491

This is Martin Schongauer's "Ecce Homo", an engraving made in the 15th century, now at the SMK. The composition divides roughly into two groups, each densely populated with figures whose expressions are vividly etched. Note the contrast between the subdued, almost resigned posture of Christ on the left, and the agitated, gesticulating crowd on the right. Schongauer uses line work to create texture and depth, look at how each face is uniquely characterized, the drapery meticulously folded, and the architectural details carefully rendered. The arrangement isn't merely representational, but symbolic. Consider how the lines converge and diverge, creating movement and directing our gaze. Schongauer masterfully employs these formal elements to draw us into the emotional and theological heart of the scene. The contrast isn't just visual; it's a profound commentary on human nature and divine suffering. Through its formal structure, the engraving invites ongoing contemplation. The use of line and the dynamic composition underscores the powerful themes of sacrifice, judgment, and the complex interplay between the human and the divine.