The Flagellation: Pilate stand under archway on left watching two men flagellate figure of Christ tied to column 1495 - 1539

Marcantonio Raimondi's engraving, made around the early 16th century, depicts the flagellation of Christ, an episode laden with potent symbolism. The column, to which Christ is bound, is not merely a structural element; it is an enduring symbol of strength and steadfastness. Yet here, it becomes an instrument of suffering, an inversion of its symbolic potential. This motif echoes through time, reminiscent of ancient victory columns repurposed to mark sites of oppression. The blindfolded figure in the background points to the blindness of justice, a recurring theme in art. His presence evokes a sense of collective guilt, reminding us of the psychological weight carried by symbols. The image's emotional power lies in its stark depiction of human cruelty, engaging viewers on a deep, subconscious level. This cyclical progression of symbols resurfaces throughout history, evolving and taking on new meanings in each context.