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Curator: This is Jan Harmensz. Muller's "The Last Supper," held here at the Harvard Art Museums. The scene is immediately striking. What catches your eye first? Editor: The tension. Everyone seems caught between shock and suspicion. The stark lighting really intensifies the drama unfolding across that table. Curator: Absolutely. Muller uses candlelight to focus our attention on Christ's expression, capturing the gravity of the moment. Consider how the artist employs familiar symbology here. Editor: It's intriguing how Muller's printmaking process allowed for widespread dissemination of this scene. How many households might have had this depiction to contemplate its meaning? Curator: A powerful thought. The symbolism, rendered accessible through prints, cemented the narrative in cultural memory. Editor: It makes you think about the labor involved, the press, the paper. This wasn't just about artistic vision, but about crafting a shared experience. Curator: Precisely, and Muller's composition ensures that the emotional weight resonates with each viewer, across time and culture. Editor: I am left considering the blend of artistry, labor, and its enduring influence. Curator: It's a powerful piece that reveals so much about faith, material conditions, and the human psyche.
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