Laatste Avondmaal c. 1600 - 1652

François Stuerhelt created this print, Laatste Avondmaal, with etching techniques. The composition is quite striking, organized around the long, horizontal table that dominates the scene. The figures are arranged symmetrically, lending a sense of balance and order, yet there’s also a dynamic quality, particularly in the foreground. The use of light and shadow adds depth, creating a somber yet dramatic mood. Stuerhelt's command of line and form is evident here. The detailed lines bring a rich texture to the surfaces, from the folds of the draperies to the expressions on the faces. Note how the lines are used to describe the fall of light and to model the figures, giving them a sculptural presence. The scene is a study in contrasts and balance, and this contributes to the viewing experience. The print invites us to consider the function of form within the cultural and philosophical discourse of the time. It's a reminder that art is not just about representation, but also about engaging with the viewer.