A Man Seated at a Writing Table by Katsushika Hokutai

A Man Seated at a Writing Table c. 1806

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print, woodblock-print

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portrait

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print

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asian-art

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ukiyo-e

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woodblock-print

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genre-painting

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calligraphy

Dimensions: height 137 mm, width 185 mm

Copyright: Rijks Museum: Open Domain

Curator: Here we have "A Man Seated at a Writing Table," a woodblock print created around 1806 by Katsushika Hokutai. It gives us a fascinating glimpse into early 19th-century Japan. Editor: It's got a peaceful, almost melancholy air, don't you think? The composition, with the figure tucked into a corner, suggests a very private moment. And the color palette is so muted, despite the detailed patterns. Curator: The artwork reflects a typical Ukiyo-e style. I'm particularly drawn to how it mirrors evolving social norms by incorporating literary activities and depicting men engaging with creative acts in contrast to a militaristic image that was being pushed onto men by the Shogunate government. The print represents new interests in a society changing in times of relative peace. Editor: Absolutely. You can really read into what the print medium would represent to contemporary consumers. Considering print culture and who these were available to in the Edo period helps you connect with its contemporary role. Who gets to participate and create within shifting socio-economic changes? And, thinking about this particular work through an intersectional lens: what space is given to women? We get a portrait here, a depiction, but no agency is awarded. Curator: Very true! I also find the juxtaposition of the calligraphy on the left with the clear domestic scene so evocative. There's a kind of layering of intellectual pursuit with everyday life, reflecting the fusion of art and daily rituals common to the culture of the era. Editor: The stark, almost ghostlike figure holding the mirror adds another layer of complexity. Her stance is intriguing. It looks like she could be holding the mirror as an objective gaze on the scene. If this is Hokutai, what is he considering about himself and society while posing the portrait? Curator: A good point, the mirror does become a very symbolic element that enhances and encourages dialogue. Seeing "A Man Seated at a Writing Table" through the lens of print and social change helps to understand what its contemporary meaning would represent for viewers as Japan’s identity shifted into new representations and forms of masculinity. Editor: Ultimately, it's that blend of the personal with the historical, the mundane with the deeply symbolic, that makes it such a powerful commentary on individual reflection amidst historical change.

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