Black wedding dress by W. Wildermann

Black wedding dress 1885

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textile, photography

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fashion design

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fashion mockup

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textile

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fashion based

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photography

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wearable design

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fashionable

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wedding dress

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clothing photo

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fashion sketch

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clothing design

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bridal fashion

Dimensions length 132 cm, length 142 cm, waist 62 cm

Curator: This photograph captures an arresting object: a black wedding dress, dating back to 1885, author unknown. What are your first thoughts? Editor: Woah, a black wedding dress! It's unexpectedly dramatic, a bit gothic, yet still formal. All that glossy black fabric gathered and draped so meticulously… Makes you wonder what the story is behind it, doesn't it? Curator: Indeed. The use of black in a garment typically associated with purity and new beginnings is striking. Consider the social context: Did it signify mourning? Or was it a subversive fashion statement challenging the norms around women's roles and expectations of the time? Was it, perhaps, a re-use of material given the cost? Editor: Perhaps the bride just really loved black? Seriously, though, the cut is impeccable – that wasp waist, the subtle detailing on the sleeves. It speaks of high-end craftsmanship. I imagine the woman who wore this carried herself with a certain defiant elegance. Curator: Precisely. The textile itself would have been expensive and suggests access to resources. It also speaks to the global textile trade and the labor involved in creating such a complex garment. Editor: I keep picturing the bride, stepping out of a carriage, a flash of dark silk against the gaslight... Who was she marrying? Was she happy? I bet she turned heads! It exudes so much individuality. Curator: Precisely. The absence of overt ornamentation beyond the refined lines indicates the possibility that this was not mourning wear but, rather, a choice—perhaps reflecting her unique style and self-determination within a constrained society. Editor: Well, looking at it has given me something to chew on about tradition and rebelling and a little something about my own relationship to all things sartorial. It's a knockout image, really. Curator: I agree. It prompts us to examine not only the craftsmanship and materiality, but also the narratives we project onto historical artifacts and the fascinating dance between convention and individuality in clothing.

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Comments

rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

After 1820 most wedding dresses were white, and so this black example is unusual. The bride had her dress made by Wilhelmine Wildermann, a seamstress who owned a shop in one of the well-known main streets of Karlsruhe (Baden-Württemberg). The cut of wedding dresses in this German federal state was always in keeping with fashion. The colour, however, was generally black as women traditionally wore black dresses to church.

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