Wedding dress with pinked flounces by Espérance Pos

Wedding dress with pinked flounces 1891

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textile

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fashion design

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underwear fashion design

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fashion mockup

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textile

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fashion and textile design

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historical fashion

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wearable design

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clothing theme

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clothing photo

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clothing design

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bridal fashion

This wedding dress with pinked flounces was made by Espérance Pos. Without a date, it's difficult to locate its context, but we can say something about its cultural implications. The elaborate style and pristine condition of the dress suggests it was commissioned for a privileged woman. During the nineteenth century, marriage was viewed as a social and economic contract that upheld existing class structures. Dresses such as these are visual symbols of status and wealth. Its design references historical styles, evoking a sense of timelessness and tradition. The long train and delicate flounces add to the romantic and opulent aesthetic. The dress also reflects prevailing notions of femininity. Its silhouette emphasizes a narrow waist and creates an idealized hourglass figure. Corsetry, padding, and other undergarments were used to achieve this shape, constricting the wearer's body to conform to societal ideals. Historical archives, fashion journals, and social histories can tell us more about how wedding dresses served as signifiers of social identity, economic power, and cultural values.

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Comments

rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

The tiny waist (59 cm) of the Amsterdam bride Seraphine Asscher came very close to the then prevailing ideal of beauty: the perfect waist fit between two male hands. In keeping with tradition, the seamstress made a modest dress for this Jewish bride, but decorated the bodice and train with fashionable ruffled ‘effilé flounces.’ This technique involves cutting away fabric to create movement and texture.

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