Twee fotoreproducties van portretten van William Henry Fox Talbot en Louis Daguerre by Anonymous

Twee fotoreproducties van portretten van William Henry Fox Talbot en Louis Daguerre before 1899

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print, photography, gelatin-silver-print

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portrait

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print

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photography

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gelatin-silver-print

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modernism

Dimensions height 151 mm, width 223 mm

Curator: Look at this fascinating page, presented here in gelatin silver print before 1899. It features two reproduced photographic portraits, one of William Henry Fox Talbot and the other of Louis Daguerre, pioneers in the development of photography. Editor: The layout gives the piece a rather somber, academic feeling. Seeing these founding fathers of photography, confined in their circular frames and presented almost like specimens, I’m instantly reminded of the tension that existed at this period when the definitions and use of these photographic processes were rapidly developing. Curator: It’s absolutely steeped in history and the socio-political contexts of the early days of photography. Talbot, remember, patented his calotype process, leading to debates about access and control over this burgeoning technology. How do you think their contrasting backgrounds shape the portraits? Editor: The symbolic implications of each portrait are hard to ignore. Daguerre, the professional showman is poised in an artificial portrait, and juxtaposed beside Talbot's humble curiosity, these pose an important point of comparison for their individual photographic inventions. We see that reflected in the very photographic printing processes they invented. Curator: I agree. There's an interesting gendered element, too, which may come to surface if we interrogate how these figures represent ideas of “genius” at a time where scientific and artistic achievements were mostly credited to men. Who has control and access continues to define these two processes for use today. Editor: Indeed. It prompts questions about technological advancement and representation, and who gets to claim ownership of innovations that profoundly change society. Curator: Looking at it this way we understand these images move beyond mere representation to something complex and actively contributing to socio-political dynamics. Editor: Precisely, an incredibly pertinent historical point; thinking about the impact these photographic portraits and processes made and how that resonates today, reveals its striking impact.

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