Mont Blanc, gezien vanaf de Route de Plan-Praz op de Brévent by Étienne Neurdein

Mont Blanc, gezien vanaf de Route de Plan-Praz op de Brévent before 1898

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photography, albumen-print

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landscape

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photography

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albumen-print

Dimensions height 121 mm, width 183 mm

Curator: Looking at this photograph, “Mont Blanc, gezien vanaf de Route de Plan-Praz op de Brévent” taken before 1898 by Étienne Neurdein. The print is albumen, it presents a panoramic view of the mountain. It evokes such a stark and serene atmosphere, doesn't it? The contrast between the light and shadow accentuates the monumentality. Editor: Serene, yes, but the act of producing such a monumental view needs unpacking. How does the mass production of albumen prints shape tourism and access to landscape? Think of the labor involved, the global supply chains providing the materials like silver and egg whites... this informs our understanding too. Curator: That's a very valid point about production. Technically, though, Neurdein has truly mastered the tonal range achievable with albumen prints. Observe the gradient in the sky and how the texture in the rocks almost looks sculptural. The composition with the two distinct sections feels intentional and really centers Mont Blanc. Editor: But this isn't a singular artwork, is it? It's one leaf within an album. Its meaning resides in its collectivity, circulation, and value as commodity. I am intrigued by the other views alongside it, like a serial documentation and exploration of space. What was the market, and who consumed these images, further mediating a visual experience of Mont Blanc? Curator: It becomes something more than an isolated peak; rather, it forms a dialogue within landscape aesthetics. How would those who possessed albums of such photographs incorporate that within the Grand Tour? The placement is considered, for both aesthetic harmony and its representation of space. I believe this image holds value beyond the industrial. Editor: Indeed. Examining those factors, of both commerce and class that drove its production, as a document from a very specific time changes how we think about landscape as a resource both exploited and idealized. Understanding both the artistic decisions and the wider network behind Neurdein is very essential to appreciating its full history and the stories contained within. Curator: I concur that knowing how these prints circulated opens additional insight. But in itself, Neurdein shows mastery of tone and captures an incredible sense of vastness. Editor: Ultimately, we see the power and limitations inherent in photography, industry, art, and how the forces intersect in this compelling image.

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