G. G. de Gentilli 1825

Christian Horneman made this portrait of G. G. de Gentilli in 1823 using graphite and grey wash on paper. Graphite, in its refined form as pencil lead, allows for a remarkable degree of control and precision. Look closely, and you will see how Horneman has used the graphite to build up subtle gradations of tone, capturing the fall of light on Gentilli's face and clothing. The grey wash is then used to enhance the contrast and create a sense of depth. The choice of such relatively modest materials speaks volumes. Unlike a painted portrait, which would have been considerably more expensive, this drawing creates an air of informality. It suggests an intimacy between artist and sitter. It's a working of the surface, which is also a working of social class. The ease of production and modest cost of graphite and paper facilitated the rise of portraiture as a more democratic art form. It allowed a wider range of people to commission and own images of themselves and their loved ones.