Untitled 1967

This untitled drawing by Barbara Chase-Riboud features a symphony of marks, woven together with graphite to create a captivating visual texture. The application of graphite is so interesting here. It’s all about the build-up, the process, the layering of tones. Look at how Chase-Riboud uses line to create structure. The drawing has got this almost architectural, maybe even sculptural, presence. The lines aren't just lines; they are these energetic vectors that seem to burst from the centre. The graphite itself is so powdery and soft. It feels like you could reach out and smudge it with your finger. The textured pattern in the middle of the piece is beautiful, like looking at the heart of the composition. It’s amazing to see how she balances control and chaos, leading to a piece that really hums with possibility. The abstract language of Agnes Martin comes to mind, but Chase-Riboud brings her own distinctive voice. It's like a visual poem, open to interpretation.