Triptych: The Capture of Kidomaru by Minamoto no Raikō (Minamoto no Yorimitsu; Kidōmaru) c. late 19th century

Editor: This is Utagawa Kuniyoshi's "Triptych: The Capture of Kidomaru by Minamoto no Raikō," a woodblock print. I'm struck by the dynamic composition and the intense energy of the figures. What do you see in the piece's formal elements? Curator: The composition relies heavily on the tripartite structure, guiding the eye sequentially through the narrative. Note the expressive line work and the deployment of color to delineate forms, especially the monstrous Kidomaru. The repetition of patterns and textures contributes to a visually stimulating surface. Editor: So, it's less about the story and more about how the artist uses visual tools? Curator: Precisely. While narrative elements are present, the true artistry resides in Kuniyoshi's manipulation of form, color, and line to create a compelling visual experience, independent of historical context. What new appreciation do you find in it? Editor: It makes me realize I'd overlooked the visual language in favor of the narrative. Thanks!