Ake Tamanosuke Seated by the Statue of a Chinese General 1866

This print by Tsukioka Yoshitoshi was made using woodblock printing, a process integral to Japanese art for centuries. The technique involves carving a design into a block of wood, applying ink, and then pressing the block onto paper. This allows for multiple impressions, making art more accessible and reproducible. Notice the intricate patterns on the garments, achieved through careful carving and layering of colors. The flatness of the image is typical of this printmaking method, emphasizing line and form over depth. The choice of wood as a medium is significant. It’s an organic material, connecting the artwork to the natural world and the labor involved in its transformation. Woodblock printing was not just a means of artistic expression but also a commercial enterprise, supporting artisans and reflecting the wider social economy. Ultimately, this print reminds us that art is not just about the image, but also about the materials, the making, and the context in which it was produced. It blurs the lines between craft and fine art.