Entrance into the harbour of Rio de Janeiro 1828

Richard Parkes Bonington painted this evocative watercolor of the harbor of Rio de Janeiro during the early 19th century. The ship, a potent symbol of exploration and commerce, looms large, but it's the sea itself that commands our attention. The sea, historically, has been depicted as a divider and a connector. In ancient mythologies, it’s often a chaotic force. Think of Poseidon, who could stir up storms with a trident’s thrust. We see echoes of this in Bonington’s turbulent waves. This primal force, the sea, echoes through time, reappearing in Turner's tempestuous canvases. The Romantic era was obsessed with the sublime, wasn’t it? The sea embodied this terror and awe. Subconsciously, we project our fears and desires onto it. The ship battles the waves; a metaphor for human struggle against the immensity of nature. Notice how this confrontation remains a recurring motif, passed down, each age reinterpreting its call.