Kardinal Otto, Bischof von Augsburg 

Philipp Winterwerb sketched "Kardinal Otto, Bischof von Augsburg," likely in the mid-19th century. Born in an era of significant social and political upheaval, Winterwerb's work reflects a deep engagement with historical and cultural identity. This sketch captures a moment of quiet contemplation. Yet, within the representation of religious authority, we see a complex negotiation of power and identity. Who was Otto, and what did it mean to portray him? By rendering the Bishop in such detail, Winterwerb invites us to consider the man behind the office. The Bishop’s identity is reinforced by his attire, as well as the keys which represent the keys to the kingdom of heaven; this symbol has been historically used by the Catholic Church. The sketch does more than simply depict a religious figure. It invites us to reflect on the intertwined nature of personal identity, institutional power, and cultural representation.