Damesschoen van ivoorwit suède, hoog uitgesneden schachtrand en hoge hak by Hirsch & Cie N.V.

Damesschoen van ivoorwit suède, hoog uitgesneden schachtrand en hoge hak before 1948

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photography

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still-life-photography

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fashion mockup

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product fashion photography

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fashion merchandise

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clothing promotion photography

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photography

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product design photgrpaphy

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clothing photography

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wearable design

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clothing photo

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fashion sketch

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realism

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clothing design

Dimensions length 25.2 cm, width 7.6 cm, height 7.1 cm

Editor: We're looking at a photograph of a pair of women's shoes. The caption tells me they’re made of ivory-white suede and probably date from before 1948. I'm struck by how simple and elegant they seem. What do you notice about them? Curator: Well, isn't it interesting how a simple pair of shoes can be so evocative? I see a snapshot of a particular time. It reminds me of those classic films – think Audrey Hepburn, a time of defined glamour. The shape itself, that high-cut vamp, speaks volumes, doesn't it? And ivory suede…so impractical and decadent! Do you see how the photographer captured the subtle nuances in tone and texture? It almost begs to be touched. Editor: Yes, definitely. I suppose you wouldn’t wear suede in the rain, would you! What do you make of the composition, with the shoes angled like that? Curator: It is quite clever. By angling the shoes slightly away, the photographer creates depth, inviting the viewer's eye to wander. I think the goal of the photographer was probably to offer them up as the dream object of the audience. But of what era? Perhaps one where we dreamt a little bigger than we dared? They tell a story without any words being uttered, right? It’s like peeking into someone's dressing room. Editor: That makes so much sense. The angling does draw me in! Thanks for your insights into the piece’s texture and photographic composition. I appreciate the chance to explore something as everyday as a shoe in a whole new light! Curator: My pleasure. Remember, even the most ordinary objects can hold extraordinary stories. All we have to do is really *see* them.

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