Fontein op de binnenplaats van het Klooster van Batalha by Luz e Arté

Fontein op de binnenplaats van het Klooster van Batalha 1890 - 1930

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photography, gelatin-silver-print, architecture

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sculpture

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landscape

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photography

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gelatin-silver-print

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architecture

Dimensions height 278 mm, width 219 mm

Curator: This photograph, titled "Fontein op de binnenplaats van het Klooster van Batalha", roughly translates to "Fountain in the courtyard of the Monastery of Batalha," and was created between 1890 and 1930 using a gelatin-silver print. It's quite striking. Editor: The sepia tones lend it a dreamlike quality, almost like looking at a faded memory. The repetition of arches and columns creates a very strong sense of depth, directing the eye to the fountain as a focal point. Curator: Exactly. Considering the period, I think it’s worth acknowledging that the labor involved in constructing these gothic monasteries and maintaining them reflects the historical socio-economic realities of religious orders, but it is important not to disregard the craftspeople involved in producing this photograph; they navigated the chemical processes and equipment constraints with skill. Editor: I agree, and the photographer's choice of viewpoint is incredibly calculated. Notice how the architectonics converge, framing the fountain like a precious gem. The lighting is critical here. Curator: Indeed. This monastery’s architecture speaks volumes of not just craftsmanship but also how available labor was distributed, both forced and religious, within Portugal’s early, state-sponsored, religious projects. One should notice how this photographic lens frames the fountain within not just its visual, structural context, but its social one too. Editor: True. But beyond the social context, consider how light filters through those arched windows, hitting each tier of the fountain with varying intensity, accentuating its geometric form. Also, observe the subtle gradients in tone – the artist knew exactly how the materiality of silver-gelatin would render that atmospheric gradation. Curator: All essential when we understand the means of production for this piece as reflective of those values, the equipment’s capabilities reflecting the economic factors around accessibility. I do see it, a delicate dance between form and availability. Editor: An exercise in visual literacy that extends to appreciating the pure composition. Its tonality captures the somber, religious monumentality with precise perspective. A delicate balancing act where symmetry adds stability that makes the fountain the focal point, not just functionally, but visually too. Curator: In the end, viewing the aesthetic with attention towards accessibility informs new insights in social values. Editor: Well, that is an interesting conclusion to these visual considerations regarding composition and tone.

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