Old man with a flowing beard: bust by Anonymous

Old man with a flowing beard: bust 1631 - 1700

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print, etching, intaglio

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portrait

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baroque

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print

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etching

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intaglio

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old engraving style

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figuration

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history-painting

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academic-art

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realism

Dimensions height 68 mm, width 63 mm

Editor: Here we have "Old man with a flowing beard: bust," an etching made sometime between 1631 and 1700 by an anonymous artist. It's housed in the Rijksmuseum. There's a wonderful sense of texture in the beard, but what really strikes me is its rather melancholic mood. What do you make of this piece? Curator: For me, it’s all about the labor and process involved in creating an etching like this. Think about the tools needed: the metal plate, the etching needle, the acid. The artist, regardless of their fame or status, had to possess specialized skills. The act of repetitive mark-making—those thousands of tiny lines—it’s a form of skilled labor often overlooked when we discuss “art.” Do you consider this art or craft? Editor: That's a great point! I guess I'd always assumed etching fell firmly into the 'art' category, but you're right, the sheer amount of repetitive, technical work definitely leans towards 'craft'. So how does that influence its value? Curator: Precisely! And what determined the demand for prints like these? Was it patronage from wealthy individuals seeking portraits, or was it part of a broader commercial enterprise, reproducing images for a growing middle class? The material conditions of its production are vital. It’s a tangible record of social relations. Editor: So by looking closely at the materials and the process, we can get a sense of the social and economic context in which this image was made? Curator: Absolutely. Forget the ‘genius artist’ trope for a moment, and focus on the actual making of the artwork – that’s where the real insights lie. The print-making revolution democratized image production to some extent, shaping visual culture through material processes. Editor: That completely shifts how I see this image now. It’s not just a portrait, it's a record of a whole system of production! Thanks! Curator: It was my pleasure! By understanding art from the standpoint of its materiality, the means of production, and distribution, we unveil valuable truths.

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