<<Monsieur, je souscris pour le tremblement de terre . . .>> c. 19th century

Editor: This is a lithograph by Honoré Daumier titled <<Monsieur, je souscris pour le tremblement de terre . . .>>. The exaggerated features of the figures give it a satirical feel. What's your interpretation of this piece? Curator: Daumier often used satire to critique societal norms. This lithograph, part of a series called "Les Philanthropes du Jour," likely comments on performative charity. Notice how the wealthy man's exaggerated features and the detailed description of his shop in the inscription highlight a self-serving rather than selfless act. Editor: So, it's not just about giving, but about the image one projects while giving? Curator: Precisely. Daumier exposes the politics of imagery and the public role of philanthropy, questioning the motivations behind such acts. Editor: I never thought about charity in such a cynical light! Curator: Daumier prompts us to consider the social context and potential power dynamics inherent in acts of giving.