Une rencontre de jouyeauz augures c. 19th century

This lithograph, “A Meeting of Joyful Augurs,” was created by Honoré Daumier in 19th-century France. Here, Daumier uses a classical setting to satirize contemporary society. The "augurs," figures from ancient Roman religion who interpreted omens, are depicted as caricatures of the ruling class. Their exaggerated features and poses suggest corruption and self-importance. Set against a backdrop of classical architecture, the image evokes a sense of historical continuity, implying that the follies and vices of the past persist in the present. Daumier's work often appeared in satirical magazines, challenging the political establishment and critiquing the bourgeoisie. Analyzing such pieces requires us to consider the social and political context of 19th-century France, including the rise of industrial capitalism, the legacy of the French Revolution, and the role of the press in shaping public opinion. By consulting period publications and historical documents, we can gain a deeper understanding of Daumier's critique and its relevance to his time.