Madonna Enthroned with Saints Catherine and Rose of Alexandria and two angels 1492
tempera, painting
portrait
high-renaissance
tempera
painting
classical-realism
figuration
christianity
genre-painting
history-painting
italian-renaissance
portrait art
fine art portrait
christ
Pietro Perugino painted this circular panel of the Madonna and Child with Saints around the turn of the 16th century. Observe the serene Madonna enthroned, holding the Christ child, flanked by Saints Catherine and Rose, with angels in attendance. Note the rose held by Saint Rose and the palm frond in Saint Catherine's hand, symbols associated with their martyrdom and purity. The rose, a symbol of love, and the palm, a symbol of triumph over death, both connect to earlier pagan traditions, where flowers and foliage signaled renewal. These gestures, steeped in emotion and faith, recall ancient rituals of reverence. Consider how the image resonates with archetypal memories of maternal care, divinity, and sacrifice that resurface across time and cultures. These symbols, while Christian, tap into a primal, almost subconscious recognition. Such images remind us of the cyclical nature of symbols. The rose, the palm, and the Madonna herself; motifs that continually reappear, transformed yet familiar, echoing through the corridors of history.
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