Crucifix c. 17 - 18

Editor: So here we have an ivory sculpture of the Crucifix, dating back to the 17th or 18th century. It’s housed here at the Minneapolis Institute of Art. I’m struck by the figure’s vulnerability, but also the exquisite detail, like the folds in the loincloth. What resonates with you when you look at this piece? Curator: What hits me first is this strange mix of power and fragility that only ivory can truly convey. You see, ivory has a warmth, almost a life force. Imagine the hand of the artist, perhaps laboring for years, slowly coaxing out this form, grain by grain, guided by faith, fueled by... well, who knows what? Perhaps a fever dream. Notice the tension, not just physical—the straining of muscles—but an emotional one as well, wouldn't you agree? Editor: Yes, the emotional weight is definitely palpable. Do you think the artist intended to focus on suffering or something else? Curator: Ah, the eternal question! Maybe it’s about acceptance? Think of it: absolute vulnerability, arms outstretched, not just in agony, but offering, accepting. Perhaps this artist was grappling with their own mortality, transforming fear into…well, a tangible, breath-taking beauty. Editor: That’s such an interesting point. It never occurred to me to see it as acceptance rather than just pure suffering. Curator: Isn’t that the magic of art, though? Shifting our perspectives, opening tiny doors in our minds? Ultimately, it is a reflection of us. Editor: Absolutely. This piece definitely gives us plenty to reflect on. Thanks for sharing your thoughts!