Envy Driven from the Temple of the Muses c. 16th century

Curator: Here we have Ugo da Carpi's "Envy Driven from the Temple of the Muses," currently residing at the Harvard Art Museums. Editor: Visually, it's a whirlwind! A chaotic expulsion rendered in stark lines. There’s so much implied movement from Envy’s forceful removal. Curator: Da Carpi, born in the late 15th century, was fascinated by the power of printmaking to disseminate imagery and ideas. This piece reflects a cultural desire to elevate artistic pursuits above base emotions. Editor: I'm most struck by the materials, though. The hatching and cross-hatching; it’s a masterclass in early printmaking techniques. How does the labor of engraving inform the final presentation of the work? Curator: The narrative is what interests me. The Muses, representing the arts and sciences, are being purged of Envy, which speaks to the Renaissance aspiration to purify artistic endeavors. Editor: It feels like the artist also implies a comment about the labor of art and consumption in society. The Muses and envy are locked in co-dependence. Curator: Indeed, it’s a fascinating interplay between moral instruction and artistic aspiration. Editor: I will certainly be thinking about the artist’s own envy and aspirations to make art in this competitive environment.