The Martyrdom of Saint Erasmus c. 16th century

Curator: Let's discuss Lucas Cranach the Elder's print, "The Martyrdom of Saint Erasmus." It's currently held in the Harvard Art Museums. Editor: The stark contrast in this black and white print definitely evokes a sense of horror. The composition is so dense, it's hard to find a place for my eye to rest. Curator: Cranach was working during a time of immense religious upheaval. This print depicts the brutal torture of Saint Erasmus, and can be viewed as a statement on religious persecution and the power dynamics of the era. Editor: The lines are so sharp and angular, especially around the figures performing the torture. It intensifies the violent action, drawing attention to the gruesome details. Curator: Absolutely. And it’s important to remember the historical context - Cranach was a friend of Martin Luther, and this print might be interpreted as a critique of the Catholic Church's treatment of those who challenged its authority. The figure of Erasmus becomes a symbol of resistance. Editor: The strategic use of line work to build dimension is striking. It accentuates the depth of suffering. Curator: Precisely. Cranach uses a familiar martyr narrative to comment on contemporary struggles for religious freedom. Editor: A dark and evocative work—it gives you a lot to consider. Curator: Indeed, a reflection on faith, power, and resistance.