Suffrage universel by Honoré Daumier

Suffrage universel c. 1850

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lithograph, print

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imaginative character sketch

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light pencil work

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quirky sketch

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narrative-art

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lithograph

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print

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caricature

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sketch book

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figuration

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personal sketchbook

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idea generation sketch

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sketchwork

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romanticism

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pen-ink sketch

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sketchbook drawing

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history-painting

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storyboard and sketchbook work

Copyright: National Gallery of Art: CC0 1.0

Curator: This lithograph, “Suffrage universel,” was created around 1850 by Honoré Daumier. The piece strikes me with its stark imbalance; the exaggerated figures crammed onto one side of the scale contrast sharply with the serene figure on the other. What's your take? Editor: It's striking, certainly. The composition relies on the dichotomy of weight and lightness, both physical and metaphorical. The lithographic medium allows for delicate shading which emphasizes the caricatured forms on the left while lending an almost classical air to the figure on the right. Curator: Absolutely. Daumier, known for his social and political commentary, made this print in response to the short-lived universal male suffrage granted after the 1848 revolution. Note how he represents the powerful, established interests as heavy and clinging to power, while the idea of universal suffrage, represented by a robed woman holding a vessel inscribed with the words “Suffrage Universel”, remains an ideal, separate from the chaos. Editor: Indeed, the use of symbolism is quite powerful. The vessel itself resembles an ancient amphora, perhaps alluding to the democratic ideals of classical antiquity. And observe how the chains supporting the scale on the left are straining, even appearing to break. There's an incredible tension embedded within the linework itself. Curator: That tension, I think, is key. It speaks volumes about the anxieties surrounding expanded voting rights during that era in France, doesn't it? The caricatures represent specific figures who actively attempted to obstruct or manipulate universal suffrage for their own gain. It's not simply a rendering of "the people"; it is about individuals struggling. Editor: The level of detail achieved with lithography is impressive. Daumier manages to convey individual character with a minimum of lines, each telling a story through posture and facial expression. It's this efficient use of form that gives the artwork its sharp edge. Curator: I agree. Ultimately, Daumier uses this print to scrutinize the political landscape and lay bare the competing interests vying for control. The fact that it still resonates today highlights the enduring relevance of his social critique. Editor: It does invite reflection. Even divorced from its historical context, the artwork operates as a fascinating study of balance, both in terms of composition and conceptual weight. The materiality enhances its impact, lending a physical presence to its otherwise abstract message.

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