From the Back-Window—291—Wall Closing In by Alfred Stieglitz

From the Back-Window—291—Wall Closing In 1916

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photography

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building study

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street shot

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historic architecture

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street-photography

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photography

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constructionism

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abstraction

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cityscape

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man-made

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modernism

Dimensions sheet (trimmed to image): 24 × 17.8 cm (9 7/16 × 7 in.) mount: 50.5 × 38 cm (19 7/8 × 14 15/16 in.)

Editor: Here we have Alfred Stieglitz’s photograph, "From the Back-Window—291—Wall Closing In," taken in 1916. I find it really claustrophobic – the buildings seem to loom over everything. What’s your take on this image? Curator: It’s fascinating how Stieglitz captures the zeitgeist of early 20th-century urban anxieties. Notice the stark geometry, the relentless repetition of windows. It speaks volumes about industrialization. Does this recall any particular movement in the visual arts? Editor: Well, with its emphasis on geometric shapes and urban environment, it does have a Constructivist vibe, right? Curator: Precisely. And Constructionism in Russia rejected decorative stylization in favor of industrial assemblage; do you notice similarities in how Stieglitz's approach favors the structural aspects of architecture instead of embellishment? These bare steel frames hint at the modern city both being built and bearing down on the inhabitants. He transforms architecture into a commentary about modernity's weight on the human spirit. Consider the psychological implications of the title – "Wall Closing In." What might Stieglitz be suggesting about the human experience in this rapidly changing urban landscape? Editor: It sounds like a sense of entrapment, perhaps? Almost like a feeling of being overwhelmed by progress itself. Curator: Yes, think about the cultural symbols –the buildings, the fire escapes, the scaffolding –and the message these symbols project individually and together. They evoke powerful cultural memories of industry, immigration, density, and the inherent promise and peril of modern life in cities. Editor: It’s amazing how a seemingly simple photograph can contain so many layers of meaning! It gives a real sense of what it must have felt like to live through that period of intense change. Curator: Indeed, it's not merely a picture of buildings; it is an exploration into collective identity, a cultural symbol, and it urges us to investigate further the effects of urbanisation.

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