From My Window at An American Place, North by Alfred Stieglitz

From My Window at An American Place, North 1930

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photography

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black and white photography

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pictorialism

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outdoor photograph

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historic architecture

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photography

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monochrome photography

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cityscape

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modernism

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monochrome

Dimensions sheet (trimmed to image): 11.7 x 9 cm (4 5/8 x 3 9/16 in.) mount: 34.7 x 27.7 cm (13 11/16 x 10 7/8 in.)

Editor: Here we have Alfred Stieglitz’s 1930 photograph, “From My Window at An American Place, North.” It’s a gelatin silver print, dominated by these towering skyscrapers. There's a rawness to it, especially the building under construction, which creates an amazing juxtaposition. What's your perspective on this particular photograph? Curator: It's interesting to consider Stieglitz’s choice of medium and its implications. Photography, unlike painting, inherently documents the real world. The gelatin silver process allowed for a crispness that suited the modern, industrial aesthetic he sought. It begs the question, what was the economic reality enabling such rapid vertical expansion in New York at that time, and how did that manifest in the materials used for these buildings? Editor: That’s a great point! The rise of these skyscrapers absolutely reflects a specific economic boom and availability of resources. I’d never considered that. Curator: Indeed. And consider the "American Place" in the title. It's not just a physical location, but also a statement. Stieglitz, through his lens, presents a modern American landscape defined by steel, concrete, and glass. A landscape created by laborers, from miners extracting raw materials to construction workers assembling these giants. It wasn't a spontaneous artistic act, but rather one influenced by global economic tides that dictated construction possibilities. Do you think that his viewpoint romanticizes these advancements, or presents a critique? Editor: I’m seeing now that Stieglitz highlights a social condition in this “romantic” depiction of skyscrapers by emphasizing the structures’ industrial materiality. Thanks to your insights on labor and capitalism, the photograph prompts me to consider that this particular architectural style is anything but organic, instead of highlighting consumerism and construction work, framing the city itself. Curator: Exactly. By focusing on the materials and labor involved, Stieglitz inadvertently reveals the complex forces shaping the urban environment.

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