Dimensions: 12 11/16 × 8 3/4 in. (32.23 × 22.23 cm) (plate)16 7/8 × 11 5/8 in. (42.86 × 29.53 cm) (sheet)
Copyright: Public Domain
This print, Fascicule I, was made by Jean Claude Richard, Abbé de Saint-Non, in France in the late 18th century, using etching. It presents designs for classically inspired ornaments, such as a fountain and a vase. It's interesting to consider the fashion for classical antiquity that swept Europe at this time, known as Neoclassicism. This was encouraged by institutions such as the French Academy, who believed that the art of ancient Greece and Rome embodied timeless ideals of beauty and order. Fascicule I reflects this taste, with its symmetrical compositions and idealized figures. But Neoclassicism also had a political dimension. Artists and patrons saw the Roman Republic as a model for modern states, with its emphasis on civic virtue. The challenge for historians is to investigate how the ideals of the classical world were adapted and transformed in response to the social and political conditions of the 18th century, using sources like letters, diaries, and official records. This helps us understand the public role of art.
The Jean-Baptiste Claude Richard (also known by his title abbé Saint-Non) embodied the important role of the amateur, an patron and connoisseur of the arts as well as a practitioner in 18th-century France. He was a skilled networker, a curious, innovative printmaker, and he supported his artist friends in their projects and travels. Saint-Non executed this suite of prints in Paris in 1763, representing antique fragments and reliefs he saw during his travels in Italy from 1759 to 1761. Most of the monuments are identified in the inscriptions by their locations in Rome. The works reflect French artists’ fascination with antiquity at the time, and the way in which these sources were transmitted to a larger public through the circulation of prints. Remarkably the suite of etchings remain as originally issued, in three groups of six deckle-edged sheets stitched together simply along the top edge.
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