Studie, mogelijk een compositiestudie 1912 - 1919

This graphite composition study, possibly by George Hendrik Breitner, sketches a scene reminiscent of the fantastical realm visited by Alice. The inscription, evoking Lewis Carroll's "Alice in Wonderland," hints at a journey beyond the looking glass. This mirror, a symbol resonating across centuries, is not merely reflective, but a portal. Its presence echoes through art history, from van Eyck's Arnolfini Portrait, where it reflects hidden truths, to Magritte's illusions. Here, it is a threshold to the subconscious, a gateway to the dreamlike narratives that tap into our collective psyche. The mirror's enduring presence in art speaks to our fascination with doubling, identity, and the hidden worlds that lie just beyond our grasp. It reflects our deepest fears and desires, inviting us to confront the fragmented self. The composition, though a mere sketch, suggests a psychological landscape that continues to intrigue us through ages.