Portret van een jonge man, aangeduid als Schouten, 19 jaar oud 1861 - 1874
photography, gelatin-silver-print
portrait
photography
gelatin-silver-print
genre-painting
realism
Dimensions height 97 mm, width 61 mm
Editor: Here we have a photograph, a gelatin-silver print, titled "Portrait of a young man, referred to as Schouten, 19 years old," taken between 1861 and 1874 by Albert Greiner. The young man’s gaze strikes me; it's serious, almost melancholic. What do you see in this portrait? Curator: The melancholy you perceive resonates with the broader context of portraiture at the time. Consider the rising popularity of photography and how it democratized image-making. It gave the burgeoning middle class access to visual representation and visual language that was formerly restricted to the elite. The formal pose, the dark suit and tie are visual signs associated with affluence, order, respectability and honor. What message might this young man want to convey through these symbols? Editor: He definitely seems to want to project a certain image of himself, maybe aspiring to be taken seriously. Was that common at the time, or is this something unique to this specific portrait? Curator: Self-representation was extremely important for nineteenth-century European middle-class subjects. Early photography was technically challenging; subjects often held stiff, formal poses during long exposures, but this was further complicated by the sitter’s ambition to self-represent. Also, observe the name: "Schouten." "Schout" referred to village mayors or sheriffs in earlier times; perhaps this portrait is an ancestor or important older relative? This image resonates across time through his legacy. Editor: I hadn't considered that. So the photo’s meaning is tied not only to the subject's appearance but also to the connotations associated with his name and position. Curator: Exactly. It’s a careful construction of identity, relying on visual cues that tap into collective memory and social expectations. This photograph provides us with glimpses of cultural ideals. Editor: That's fascinating. I’ll definitely look at these old portraits in a new light from now on!
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